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My “Writers Write” Series Interview

This Week At Emily Lupita Studio – My “Writers Write” Series Interview:

I’m delighted to have been interviewed by about my creative process and new book as part of the “Writers Write” interview series hosted by AndiLit founder, Andi Cumbo-Floyd. I answer 10 questions ranging from thoughts on building a platform for writing to how books influenced my childhood.

I’m re-posting the first section of the interview here and it appears in full at this link.

Treasure This Sacred Space – A Writers Write Interview with Emily Lupita


I absolutely love creative people who throw their creative energy into the work of other artists, and Emily Lupita is one of those people.  Please take a few minutes and enjoy her words and wisdom today.

1. Tell me about your latest project.  The Artist's Alphabet by Emily Lupita

The Artist’s Alphabet: 26 Words to Encourage Creativity is a hybrid project that brought my love of painting and words together. It combines a collection of my “Lupita on a Journey” paintings with a painting I made of each letter of the alphabet. All the letters are connected to a word that I felt encourages creativity or represents an important aspect of the creative lifestyle. On the facing page of each painting / letter / word combo is the word’s definition, which I edited to better fit my idea of what each word means to me as an artist and writer. I designed it as a tool for children learning to read, but I also hope it can serve as a sort of colorful sanctuary for adults, a place where they can go to embrace the powerful versatility of a joyful child’s creative mindset.

The book is dedicated to my mother, artist Juana Maria Plum, and starts with a design I made of a favorite quote, “All the arts we practice are apprenticeship. The big art is our life” by M.C. Richards.

Signed copies are available in my art shop at and unsigned copies on Amazon.


2. What role, if any, did books, writing, and reading play in your childhood?

Books, reading, and writing were central elements of my childhood. My parents, two brothers and I lived on a self-sustaining homestead in the countryside of rural Iowa. We didn’t have running water until I was seventeen and had almost no modern electronic conveniences, so our collective imaginations were the most exciting thing around and that’s were we spent most of our time. We read books, put on plays in the living room, and went on narrated walks into the wild landscape that surrounded us. My mother is an artist and we had a special long, rectangular table dedicated to painting and to all sorts of craft projects from making our own fishing lures to chiseling animal figurines out of wood. My father is a bardic poet who recites long stretches of oral poetry from memory, and some of my earliest childhood memories are of him teaching me to memorize lines from his poems by repeating them in rhythmic patterns while waving my hands like a conductor before an orchestra. When the two of them got together on a creative roll, it was a true wonder for their three children to behold and, still, I go back to those moments of wonder when I’m on the verge of creating something new.

W is for Wonder


3. What is your writing practice, your writing routine?

In the mornings I wake up early and sort of stumble downstairs to my art studio. I like this because it feels like I actually wake up painting. Once I’m through the mist and fully awake, I spend time working on my memoir manuscript, The Poet’s Daughter, for about an hour. It is a slow process that I’ve come to enjoy – etching away at it line by line for years. Each night I do a writing exercise where I open my Artist’s Alphabet book to a random page and write about how I want to manifest more of that particular word in my life. Some of my favorite words that keep appearing to me are gratitude, imagination, perseverance, and wonder.G is for Gratitude


4. Who are you reading now?

Right now I’m reading The Signature of All Things by Elizabeth Gilbert. Love, love, love. I’m also reading her Facebook page posts, which are excellent and seem to arrive just when I need the bursts of encouragement and words of wisdom.


5. What are three of your all-time favorite books? Why do you love those?

The Little Prince by Antoine de Saint-Exupery

This book was one my parents used to read to my brothers and me as children. I love the illustrations and how the timeless story speaks to readers of all ages. The Spanish version, El Principito, was the first book I ever read in Spanish, my mother’s native tongue, and opened up her world of language to me in a whole new way.

Dubious Angels: Poems After Paul Klee by Keith Ratzlaff (Anhinga Press, 2005)

In this beautiful book of poems, Ratzlaff writes stunning lines as a reflection of the angel artwork Paul Klee drew during the 18 months leading up to his death. Ratzlaff gives a voice to these angels and the combination of art and poetry together on the page is inspiring. I come back to this book over and over when I want to contemplate the larger questions, as Ratzlaff writes after Paul Klee’s drawing “Last Earthly Step,”

For we are a dream of instability

For we are a drama of horizontals

How we last and are last

How our hair goes disguised as a shroud in the little wind

Relics: Deep Mythic Image Poetry by Joseph S. Plum (Dreaming Deer Press, 2013)

As a child, I listened to my father recite his bardic poetry from memory and as I grew older, I would try to remember the lines myself and then run to my room to write them down so they were not lost forever in the forest of his mind. After decades of trying to convince him of the value of his art and how important it was (to me and many others) that his poems be preserved in the written form, my father finally agreed to let me type them out. This process took years and consisted of him saying the poems aloud in a trance-like state as I recorded him during different visits to my home studio. I then transcribed the recordings and went about editing the hours of transcriptions into lines of poetry. The final result is a manuscript of many hundreds of pages, with more added each year as my father continues his annual visits and recordings.

Relics: Deep Mythic Image Poetry is the first book created from this massive manuscript. Because his genre exists so far outside the modern arch of poetry, I created my own press, Dreaming Deer Press, in order to publish it. I have since published three books and have four more of his books in different stages of the editing process on my desk. These poetry books are the culmination of a lifetime of effort to record and document my father’s gift, and symbolize to me the power of perseverance and the mysterious bonds of love between a daughter and her father.


Read the rest of the interview (10 questions in total) on at this link.

Sending wishes for a beautiful week ahead,

~Emily Lupita


"Marietta Fountain" by Emily Lupita.  Sold at the MSAA Gallery - July Art Walk.
“Marietta Fountain” by Emily Lupita.
Sold at the MSAA Gallery – July Art Walk.
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Evolution of an Owl

The View From My Art Desk

I’m working on a new series of owl paintings. I wanted to share the evolution of how I develop a painting. First I sketch out the basic ink drawing several times to get the design I’m envisioning in my mind. I use sketch paper and go through piles & piles!

Sweet Owl 1Then I add in special aspects like crowns, bubbles, stripes and flowers to give the design the light-hearted character I try to have in all my Lupita paintings.

Sweet Owl 2

Once the design is all set, I draw it on watercolor paper and start the color selection.

Owl 1

I love to combine unexpected colors and I try to always use a touch of bright pink.

3 OWLS 5_Ink DrawingAnd here she is – my first owl painting. I’m calling it “Sweet Owl” and hope to make a few more Lupita Owls over the next couple of days. 3 Sweet Owl_ETSY 1


This painting is now up in my online Art Shop ~ here  and I hope to take it in to the MSAA Gallery later on this week.

Sending wishes for a beautiful day,

~Emily Lupita


Check out my newly redesigned website:




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View From My Art Desk: Creating An Online Artwork Gallery

The Design Process:

I’m embarking on the first part of a long-term goal to archive all of my paintings and present them in a new online gallery. I currently have a gallery with Fine Art America, but I’m thinking I would like to have one that I curate myself on my own website as well. I wanted to share my process for creating it – a sort of behind the scenes look as it comes together. It will be a long process but I think it’s time to get started on it.

The first step is to create a template for the images. I decided to use my watercolor portrait of my mother, Juana Maria, as my test image. This is how the template design started:

Juanita in a Blue Dress_Gallery Photo

This process has taken some time and is challenging because I’m looking to create the best balance between the information I need to display and the artwork itself. There needs to be a title, my name, my studio name & website, plus a copyright mark in addition to the image.

4 Juanita in a Blue Dress_Gallery Photo

I decided the first design was too colorful, so I took out all the color (except for the Lupita), but still too many distractions from the painting itself. I then went to full black and white for the info, playing around with the shades of gray in each area.

6 Juanita in a Blue Dress_Gallery Photo7 Juanita in a Blue Dress_Gallery Photo

Still too many distractions for the eye…so I took out the flowers and immediately loved the change.

8 Juanita in a Blue Dress_Gallery Photo

A few final touches – took out the ”  ” around the title, resized everything to one inch distances, took out the butterfly…then put it back again.

Juanita in a Blue Dress_Gallery Photo

Then I tried it out with several different pieces of art to make sure it will translate across projects.

Silver Dapple Dachshund with Wings_Gallery PhotoSan Cristobal Landscape #1_Gallery PhotoStar Covered Kimono 1_Gallery PhotoI Believe I Can Fly_Gallery Photo

And there I have my template. Whew…it took a lot longer than I expected, but I’m glad I experimented and found a design that works best for my artwork overall. Next up – scanning all my paintings (there’s still a drawer full not yet scanned), digitally archiving them, and placing each image into the template to upload into my gallery.

Sending wishes for a beautiful day,

~Emily Lupita

Never Give Up ETSY Green

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